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[单选题]

It was ___ who wrote those words on the blackboard.

A.he

B.him

C.himself

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更多“It was ___ who wrote those words on the blackboard.”相关的问题

第1题

The novelist who was born in Poland wrote()

A.The portrait of A Lady

B.A Passage to India

C.The Heart of Darkness

D.Dubliners

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第2题

D.H. Lawrence was born in a working class family in 1885 when England was at the full deve
lopment of its industry. His father was a coal-miner, so he knew what it was like to be poor. But his mother straggled hard to help her children get better chances than his father had. Lawrence became a teacher, and so escaped the mining world of his father. But he never forgot it. He wrote many stories about the life of the miner's family, including his most famous novel Sons and Lovers, which is a portrait of Lawrence's own life. Many of his stories and novels are on men who work down the mines. He once said of the men in the coal mines: Here in this terrible hell, the men are most happy. He meant the comradeship of the miners, the fact that they lived simply, without wishes for power, without money, without health.

D.H. Lawrence was ______.

A.a coal-miner

B.a teacher of English

C.an English writer

D.anyone but a miner

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第3题

听力原文:M: Say, Lisa, what are you watching?W: An old Japanese film. I'm going to spend n

听力原文:M: Say, Lisa, what are you watching?

W: An old Japanese film. I'm going to spend next year there, so I'd better start familiarizing myself with the culture (23) .

M: You mean you are accepted into the program?

W: Sure was.

M: That's wonderful. You must be very-excited.

W: Excited and nervous. You know I owe a lot to Professor Whitehead. He wrote a letter of recommendation for me and he bought me some tapes and books so I can work on my basic conversation skills (24) .

M: How much Japanese can you understand?

W: Not a lot right now. But I signed up for Intensive Japanese this semester.

M: I wish I were as talented as you are in foreign languages. I'd love to study abroad.

W: Then why don't you? The university has lots of overseas programs that don't require mastery of a foreign language. The tuition is about the same. You just have to be the kind of person who is willing to accept new culture and who can also adapt to a different kind of life style. (25) .

M: Really? I might check into this.

W: You won't regret it.

(20)

A.Taping some music.

B.Watching a film.

C.Making a video recording.

D.Writing a letter.

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第4题

"The language of a composer", Cardus wrote, "his harmonies, rhythms, melodies, colors and
texture, cannot be separated except by pedantic analysis from the mind and sensibility of the artist who happens to be expressing himself through them".

But that is precisely the trouble; for as far as I can see, Mozart's can. Mozart makes me begin to see ghosts, or at the very least ouija-boards. If you read Beethoven's letters, you feel that you are at the heart of a tempest, a whirlwind, a furnace; and so you should, because you are. If you read Wagner's, you feel that you have been run over by a tank, and that, too, is an appropriate response.

But if you read Mozart's—and he was a hugely prolific letter-writer—you have no clue at all to the power that drove him and the music it squeezed out of him in such profusion that death alone could stop it; they reveal nothing—nothing that explains it. Of course it is absurd(though the mistake is frequently made)to seek external causes for particular works of music; but with Mozart it is also absurd, or at any rate useless, to seek for internal ones either. Mozart was an instrument. But who was playing it?

That is what I mean by the Mozart Problem and the anxiety it causes me. In all art, in anything, there is nothing like the perfection of Mozart, nothing to compare with the range of feeling he explores, nothing to equal the contrast between the simplicity of the materials and the complexity and effect of his use of them. The piano concertos themselves exhibit these truths at their most intense; he was a greater master of this form. than of the symphony itself, and to hear every one of them, in the astounding abundance of genius they provide, played as I have so recently heard them played, is to be brought face to face with a mystery which, if we could solve it, would solve the mystery of life itself.

We can see Mozart, from infant prodigy to unmarked grave. We know what he did, what he wrote, what he felt, whom he loved, where he went, what he died of. We pile up such knowledge as a child does bricks; and then we hear the little tripping rondo tune of the last concerto—and the bricks collapse; all our knowledge is useless to explain a single bar of it. It is almost enough to make me believe in — but I have run out of space, and don't have to say it. Put K. 595 on the gramophone and say it for me.

According to Paragraph 1, Cardus observed that ______ .

A.a composer can separate his language and harmonies from his own mind and sensibility

B.a composer can separate his language and harmonies from the mind and sensibility of an artist

C.some people can separate the language and harmonies of a composer from his mind and sensibility

D.the language, harmonies, rhythms, melodies, colors and texture of a composer cannot be separated from each other

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第5题

When John Milton writer of“Paradise Lost” entered Cambridge University in 1625 he was
already skilled in Latin after seven years of studying it as his second language at St.Paul’s School London.Like all English boys who prepared for college in grammar schools he had learned not only to read Latin but also to speak and write it smoothly and correctly.His pronunciation of Latin was English however and seemed to have sounded strange to his friends when he later visited Italy.

Schoolboys gained their skill in Latin in a bitter way.They kept in mind the rules to make learning by heart easier.They first made a word-for-word translation and then an idiomatic translation into English.As they increased their skill they translated their English back into Latin without referring to the book and then compared their translation with the original.The schoolmaster was always at hand to encourage them.All schoolmasters believed Latin should be beaten in .

After several years of study the boys began to write compositions in imitation of the Latin writers they read.And as they began to read Latin poems they began to write poems in Latin.Because Milton was already a poet at ten his poems were much better than those painfully put together by the other boys.During the seven years Milton spent at university he made regular use of his command of Latin.He wrote some excellent Latin poems which he published among his works in 1645.

1.What does the passage mainly tell about?[]

A.How John Milton wrote“Paradise Lost”

B.How John Milton studied Latin

C.How John Milton became famous

D.How John Milton became a poet

2.Which of the following is true of John Milton’s pronunciation of Latin?[]

A.It has a strong Italian accent

B.It has an uncommon accent

C.It was natural and easy to understand

D.It was bad and difficult to understand

3.It can be inferred from the passage that ________.

A.Milton’s training in Latin was similar to that of the other boys

B.Milton hadn’t learned any foreign language except Latin before going to college

C.Milton’s Italian friends helped him with Latin when talking

D.Milton's classmates learned Latin harder but worse than Milton

4.Which of the following is suggested in the passage?[]

A.The schoolmaster mainly helped those who were bad at Latin

B.The schoolmaster usually stood beside the schoolboys with a stick in his hand

C.The schoolboys could repeat Latin grammar rules from memory

D.Some of the schoolboys were quick at writing compositions in Latin

5.What is the meaning of the underlined part“Latin should be beaten in”that the writer wishes you to understand?[]

A.Schoolboys should be punished if they were lazy to learn Latin

B.Schoolboys should be encouraged if they had difficulty in learning Latin

C.Schoolboys were expected to master Latin in a short time

D.Schoolboys had to study Latin in a hard way

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第6题

Like most people, I was brought up to look upon life as a process of getting. It was not u
ntil in my late thirties that I made this important discovery: giving away makes life so much more exciting. You need not worry if you lack money. This is how I experimented with giving away. If an idea for improving the window display of a neighborhood store flashes to me, I step in and make the suggestion to the storekeeper. One discovery I made about giving away is that it is almost impossible to give away anything in this world without getting something back, though the return often comes in an unexpected form. One Sunday morning the local post office delivered an important special delivery letter to my home, though it was addressed to me at my office. I wrote the postmaster a note of appreciation. More than a year later I needed a post office box for a new business I was starting. I was told at the window that there were no boxes left, and that my name would have to go on a long waiting list. As I was about to leave, the postmaster appeared in the doorway. He had overheard our conversation. " Wasn't it you that wrote us that letter a year ago about delivering a special delivery to your home? " I said yes. "Well, you certainly are going to have a box in this post office if we have to make one for you. You don't know what a letter like that means to us. We usually get nothing but complaints.

From the passage, we understand that______.

A.the author did not understand the importance of giving until he was in late thirties

B.the author was like most people who were mostly receivers rather than givers

C.the author received the same education as most people during his childhood

D.the author liked most people as they looked upon life as a process of getting

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第7题

Section ADirections: In this section, there is a passage with ten blanks. You are required

Section A

Directions: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given in a word bank following the passage. Read the passage through carefully before making your choices. Each choice in the bank is identified by a letter. Please mark the corresponding letter for each item with a single line through the center. You may not use any of the words in the bank more than once.

The more time children spend watching television the poorer they perform. academically, according to three studies published on Monday.【S1】______television viewing has been blamed for increasing rates of childhood obesity(肥胖)and for aggressive behavior, while its【S2】______on schooling have been inconclusive, researchers said.

But studies published on the topic in this month' s Archives of Pediatrics(小儿科)& Adolescent Medicine concluded television viewing【S3】______to have an adverse effect(反作用)on academic pursuits. For【S4】______, children who had televisions in their bedrooms--and【S5】______watched more TV--scored lower on standardized tests than those who did not have sets in their rooms. In contrast, the study found having a home computer with【S6】______to the Internet resulted in comparatively higher test scores.

"Consistently, those with a bedroom television but no【S7】______home computer had, on aver age, the lowest scores and those with home computer but no bedroom television had the highest scores," wrote study author Dina Borzekowski of Johns Hopkins University.

The American Academy of Pediatrics has【S8】______parents to limit children' s television viewing to no more than one to two hours per day--and to try to keep younger Children away from TV altogether.

In two other studies published in the same journal, children who【S9】______watched television before the age of 3 ended up with lower test scores later on, and children and adolescents who watched more television were less【S10】______. to go on to finish high school or earn a college degree.

A)Inadequate I)urged

B)available J)Excessive

C)regularly K)instance

D)therefore L)reception

E)access M)tended

F)likely N)Ordinary

G)impact O)Limitless

H)converted

【S1】

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第8题

In the case of mobile phones, change is everything. Recent research indicates that the mob
ile phone is changing not only our culture, but our very bodies as well.

First, let's talk about culture. The difference between the mobile phone and its parent, the fixed-line phone, you get whoever answers it.

This has several implications. The most common one, however, and perhaps the thing that has changed our culture forever, is the "meeting" influence. People no longer need to make firm plans about when and where to meet. Twenty years ago, a Friday night would need to be arranged in advance. You needed enough time to allow everyone to get from their place of work to the first meeting place. Now, however, a night out can be arranged on the run. It is no longer "see you there at 8", but "text-me around 8 and we'll see where we all are".

Texting changes people as well. In their paper, "Insights into the Social and Psychological Effects of SMS Text Messaging", two British researchers distinguished between two types of mobile phone users: the "talkers" and the "texters"--those who prefer voice to text message and those who prefer text to voice.

They found that the mobile phone's individuality and privacy gave texters the ability to express a whole new outer personality. Texters were likely to report that their family would be surprised if they were to read their texts. This suggests that texting allowed texters to present a self-image that differed from the one familiar to those who knew them well.

Another scientist wrote of the changes that mobiles have brought to body language. There are two kinds that people use while speaking on the phone. There is the "speakeasy": the head is held high, in a self-confident way, chatting away. And there is the "spacemaker': these people focus on themselves and keep out other people.

Who can blame them? Phone meetings get cancelled or reformed and camera-phones intrude on people's privacy. So, it is understandable if your mobile makes you nervous. But perhaps you needn't worry so much. After all, it is good to talk.

When people plan to meet nowadays, they ______.

A.arrange the meeting place beforehand

B.postpone fixing the place till last minute

C.seldom care about when and where to meet

D.still love to work out detailed meeting plans

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第9题

The other problem that arises from the employment of women is that of the working wife. It
has two aspects: that of the wife who is more of a success than her husband and that of the wife who must rely heavily on her husband for help with domestic tasks. There are various ways in which the impact of the first difficulty can be reduced. Provided that husband and wife are not in the same or directly comparable lines of work, the harsh fact of her greater success can be obscured by a genial conspiracy to reject a purely monetary measure of achievement as intolerably crude. Where there are ranks, it is best if the couple work in different fields so that the husband can find some special reason for the superiority of the lowest figure in his to the most elevated in his wife's.

A problem that affects a much larger number of working wives is the need to re-allocate domestic tasks if there are children. In The Road to Wigan Pier George Orwell wrote of the unemployed of the Lancashire coalfields! "Practically never...in a working-class home, will you see the man doing a stroke of the housework. Unemployment has not changed this convention, which on the face of it seems a little unfair. The man is idle from morning to night but the woman is as busy as ever—more so, indeed, because she has to manage with less money. Yet so far as my experience goes the women do not protest. They feel that a man would lose his manhood if. merely because he was out of work, he developed in a 'Mary Ann'".

It is over the care of young children that this re-allocation of duties becomes really significant. For this, unlike the cooking of fish fingers or the making of beds, is an inescapably time-consuming occupation, and time is what the fully employed wife has no more to spare of than her husband.

The male initiative in courtship is a pretty indiscriminate affair, something that is tried on with any remotely plausible woman who comes within range and, of course, with all degrees of tentativeness. What decides the issue of whether a genuine courtship is going to get under way is the woman's response. If she shows interest the engines of persuasion are set in movement. The truth is that in courtship society gives women the real power while pretending to give it to men.

What does seem clear is that the more men and women are together, at work and away from it, the more the comprehensive amorousness of men towards women will have to go, despite all its past evolutionary services. For it is this that makes inferiority at work abrasive and, more indirectly, makes domestic work seem unmanly, if there is to be an equalizing redistribution of economic and domestic tasks between men and women there must be a compensating redistribution of the erotic initiative. If women will no longer let us beat them they must allow us to join them as the blushing recipients of flowers and chocolates.

Paragraph One advises the working wife who is more successful than her husband to______.

A.work in the same sort of job as her husband

B.play down her success, making it sound unimportant

C.stress how much the family gains from her high salary

D.introduce more labour-saving machinery into the home

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第10题

My aunt Edith was a widow(寡妇) of 50, working

My aunt Edith was a widow(寡妇) of 50, working as a secretary, when doctors discovered what was then thought to be a very serious heart disease.

Aunt Edith doesn’t accept defeat easily. She began studying medical reports in the library and found an article in a magazine about a well-known heart surgeon, Dr. Michael DeBakey, of Houston, Texas. He had saved the life of someone with the same disease. The article said his fees were very high; Aunt Edith couldn’t possibly pay them. But could he tell her of someone whose fees she could pay?

So Aunt Edith wrote to him. She simply listed her reasons for wanting live: her three children, who would be on their own in three or four more years, her little-girl dream of traveling and seeing the world. There wasn’t a word of self-pity----only warmth and humor and the joy of living. She mailed the letter, not really expecting an answer.

A few days later, my doorbell rang. Aunt Edith didn’t wait to come in; she stood in the hall and read aloud:

Your beautiful letter moved me very deeply. If you can come to Houston, there will be no charge for either the hospital or the operation.

Signed: Michael DeBakey.

1.Aunt Edith_____when she knew she had a very serious heart disease.

A.stopped working as a secretary

B.didn’t lose hope

C.stayed in the hospital

D.asked many doctors for help

2.From the story we can see _____.

A.Dr. Michael DeBakey was not famous at all

B.Aunt Edith could afford Dr. Michael DeBakey’s fees

C.Dr. Michael DeBakey was experienced in dealing with Aunt Edith’s disease

D.Aunt Edith accepted defeat easily

3.In Aunt Edith’s letter to the doctor, ______.

A.she showed she was warm, humorous and enjoying living

B.she avoided talking about her children

C.she showed she was very sad

D.she said she had a little girl who dreamed of traveling and seeing the world

4.When Aunt Edith mailed her letter, _____.

A.she was determined to move the doctor

B.she expected some wonder would happen

C.she knew it would never reach the doctor

D.she didn’t expect the doctor would give her a reply

5.Michael DeBakey mainly told Aunt Edith in the letter that_____.

A.he was going to operate on her for free

B.he thought he was unable to offer help

C.her letter was well-written

D.her disease was so serious that he couldn’t cure her

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第11题

He wrote an article criticizing the Greek ?

He wrote an article criticizing the Greek poet and won __________ and a scholarship.

A) faith B) status C) fame D) courage

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